{"id":640,"date":"2016-06-24T11:51:19","date_gmt":"2016-06-24T11:51:19","guid":{"rendered":"https:\/\/ioha.org\/?page_id=640"},"modified":"2026-03-19T05:31:50","modified_gmt":"2026-03-19T05:31:50","slug":"revista","status":"publish","type":"page","link":"https:\/\/ioha.org\/es\/journal\/","title":{"rendered":"Revista"},"content":{"rendered":"
\n
\n
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REVISTA<\/p>\n\n\n\n

Palabras y Silencios<\/strong><\/h2>\n\n\n\n

<\/p>\n\n\n\n

N\u00famero actual: <\/h3>\n\n\n\n

La historia oral en un mundo digital y audiovisual<\/h3>\n\n\n\n

<\/p>\n\n\n\n

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LEER EL N\u00daMERO ACTUAL<\/a><\/div>\n<\/div>\n<\/div>
\"Palabras<\/figure><\/div>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n
<\/div>\n\n\n\n
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Sobre la revista<\/strong><\/h2>\n<\/div>\n\n\n\n
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Words and Silences \/ Palabras y Silencios<\/em> es la revista de edici\u00f3n digital de la Asociaci\u00f3n Internacional de Historia Oral. Incluye art\u00edculos de una amplia gama de disciplinas y es un medio para que la comunidad profesional comparta proyectos y tendencias actuales de la historia oral de todo el mundo.<\/p>\n\n\n\n

En l\u00ednea ISSN 2222-4181<\/p>\n\n\n\n

Equipo de redacci\u00f3n<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

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Art\u00edculos recientes<\/strong><\/h2>\n<\/div>\n\n\n\n
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Soluciones creativas para permitir el acceso en l\u00ednea a la Colecci\u00f3n de Historia Oral de la Universidad de Alaska Fairbanks<\/a><\/h3>\n
Leslie Joan McCartney<\/strong><\/div><\/div>\n <\/span><\/a>\n <\/div>
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El papel de la indemnizaci\u00f3n del narrador en el caso de las reparaciones y la restituci\u00f3n<\/a><\/h3>\n
Alissa Rae Funderburk y Fanny Julissa Garcia<\/strong><\/div><\/div>\n <\/span><\/a>\n <\/div>
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\"\u00a1Tengo ese clip aqu\u00ed!\": El espectro de los medios digitales en la construcci\u00f3n y narraci\u00f3n de historias de vida<\/a><\/h3>\n
Elizabeth Visser<\/strong><\/div><\/div>\n <\/span><\/a>\n <\/div>
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Quietly Queer and Chinese: Di\u00e1logos recordados y creaci\u00f3n de mundos afectivos en Sydney<\/a><\/h3>\n
Joseph Black<\/strong><\/div><\/div>\n <\/span><\/a>\n <\/div>
\n
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Interpretaci\u00f3n de la historia oral en colaboraci\u00f3n con artistas LGBTQ negros<\/a><\/h3>\n
Joseph Plaster<\/strong><\/div><\/div>\n <\/span><\/a>\n <\/div>
\n \n
\n M\u00c1S DE LA EDICI\u00d3N ACTUAL<\/a>\n <\/div>\n\n <\/div>\n<\/div>\n\n\n\n
\n\n\n\n
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N\u00fameros anteriores<\/strong><\/h2>\n<\/div>\n\n\n\n

Historia oral y espacio (2022)<\/a><\/h3>

Armon\u00eda y desarmon\u00eda: Selecciones de la XXI Conferencia de la IOHA (2023)<\/a><\/h3>

La historia oral en un mundo digital y audiovisual (2025)<\/a><\/h3>

Memoria y Narraci\u00f3n (2019)<\/a><\/h3>

Historia Oral y Emociones (2018)<\/a><\/h3>

Nueva Edici\u00f3n Digital (2015)<\/a><\/h3>

Colaborar (2012)<\/a><\/h3>

Los Trabajos de la Historia Oral (2011)<\/a><\/h3>

N\u00famero de transici\u00f3n (2011)<\/a><\/h3>

Historia oral y la experiencia de la pol\u00edtica (2003)<\/a><\/h3><\/div>\n<\/div>\n\n\n\n
\n\n\n\n
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Env\u00edo de art\u00edculos<\/strong><\/h2>\n<\/div>\n\n\n\n
\n

El equipo editorial de Palabras y Silencios est\u00e1 interesado en art\u00edculos relacionados con la metodolog\u00eda, las pr\u00e1cticas, la teor\u00eda y los proyectos de historia oral. Nuestro objetivo es proporcionar un espacio para que los historiadores orales y los profesionales de la historia oral compartan proyectos y tendencias actuales con la comunidad internacional. <\/p>\n\n\n\n

Ya est\u00e1 abierta la convocatoria de propuestas para el pr\u00f3ximo n\u00famero de la Revista IOHA. V\u00e9ase esta p\u00e1gina<\/a> para m\u00e1s detalles.<\/p>\n\n\n\n

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DIRECTRICES DE PRESENTACI\u00d3N <\/a><\/div>\n\n\n\n
PROCESO EDITORIAL<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

<\/p>","protected":false},"excerpt":{"rendered":"","protected":false},"author":43,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"normal-width-container","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-640","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nIOHA Journal - International Oral History Association<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ioha.org\/es\/revista\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"IOHA Journal - International Oral History Association\" \/>\n<meta property=\"og:description\" content=\"IOHA JOURNAL Words and Silences Current Issue: Oral history in a digital and audiovisual world About the Journal Words and Silences \/ Palabras y Silencios is the Digital Edition Journal of the International Oral History Association. 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